Las óleos de todo Delaunay, Robert
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ID Image  Painting (From A to Z)       Details 
36676  
Delaunay, Robert, The three Graces
  		 The three Graces   mk113 1912 102.3x63.3cm
36677  
Delaunay, Robert, The three Graces
  		 The three Graces   mk113 1912 190x140cm
36678  
Delaunay, Robert, The three Graces
  		 The three Graces   mk113 1911-1912 Oil on canvas 100x81cm
36685  
Delaunay, Robert, The three landscape of Window
  		 The three landscape of Window   mk113 1912 Oil on canvas 35.2x91.8cm
36681  
Delaunay, Robert, The Window Toward the city
  		 The Window Toward the city   mk113 1912 Oil on canvas 46x40cm
36656  
Delaunay, Robert, The Window towards to City
  		 The Window towards to City   mk113 1910-1911 62.2x49.5cm
36657  
Delaunay, Robert, The Window towards to City
  		 The Window towards to City   mk113 1910-1914 56x46cm
36658  
Delaunay, Robert, The Window towards to City
  		 The Window towards to City   mk113 1912 Oil on canvas 79x64.5cm
36660  
Delaunay, Robert, The Window towards to City
  		 The Window towards to City   mk113 1912 Oil on canvas 39x29.6cm
36661  
Delaunay, Robert, The Window towards to City
  		 The Window towards to City   mk113 1914 24.8x20cm
36682  
Delaunay, Robert, Three Windows Tower and round ring
  		 Three Windows Tower and round ring   mk113 1912 Oil on canvas 130.2x195.6cm
36653  
Delaunay, Robert, Tower
  		 Tower   mk113 1909 65x46cm
36654  
Delaunay, Robert, Tower
  		 Tower   mk13 1909-1910 58.5x38cm
36663  
Delaunay, Robert, Tower
  		 Tower   mk113 1909 Oil on canvas 46.2x38.2cm
36673  
Delaunay, Robert, Tower
  		 Tower   mk113 1912 Oil on canvas 162x130cm
36633  
Delaunay, Robert, Waitress
  		 Waitress   mk113 1906-1907 Oil on canvas 73x48.5cm
36684  
Delaunay, Robert, Window
  		 Window   mk113 1912 Oil on canvas 57x123cm
36694  
Delaunay, Robert, Window
  		 Window   mk113 1912 Oil on canvas 56x56cm
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Delaunay, Robert
French Cubist Painter, 1885-1941 French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life,



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